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words or kisses

General Poetry - post, comment, review, critique
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Dave
Posts: 2051
Joined: Mon Jan 08, 2018 9:07 am

words or kisses

Post by Dave » Mon Nov 30, 2020 1:41 am

 


Time rests ajar like lips
poised ready for words.

The lover
lounges along a chaise longue,
indulges himself in sighs
as if it were a heavy tongue.
His cigarette smoke ascends
in spirals of anticipation.

The husband
practices knowing and not knowing
in the corner, lacking the one
desire strong enough to conquer
and imprision or force flight.

The desired
waits on a bed beyond that door,
to be prized or possessed,
her own free will
an independent truth
neither man can ever hope to fathom,
so content are they with themselves.

And so
they remain with mouths
poised ready for words or kisses.

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Colm Roe
Posts: 2818
Joined: Sun Jan 07, 2018 12:45 am

Re: words or kisses

Post by Colm Roe » Mon Nov 30, 2020 8:16 pm

This started so well in S1. But then fell into a cliché fest.
The lover on a chaise longue, smoking a cigarette!
The husband, aware of her lover, is bad enough. But the notion of him
conquering or imprisoning (I assume you meant to say 'imprison) his wife is so passé and uncomfortable.
As for the woman waiting to be prized or possessed! An independent truth! And the idea that the men are so content...this S
reads like an early 20th Century Hollywood script.
The last S copper fastens the poem nicely; and not in a good way.
It appears to be an earnest write...but I have a feeling you're taking the piss...I hope you're taking the piss!
Way below even an average 'Dave' poem.
But I still love S1.

Dave
Posts: 2051
Joined: Mon Jan 08, 2018 9:07 am

Re: words or kisses

Post by Dave » Tue Dec 01, 2020 2:26 am

Thanks Colm
Yes haven't written for a long time. Out of touch.
Dave
 

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Tracy Mitchell
Posts: 3397
Joined: Sun Jan 07, 2018 3:58 pm

Re: words or kisses

Post by Tracy Mitchell » Wed Dec 23, 2020 3:14 pm

I have been reading this on and off for some time. Definitely seems unfinished. My first comments were "raw, raw". S 1 is very strong. There are other lines, as well -- ". . . practices knowing and not knowing", that are compelling. I think the characters are flat -- not fleshed out with detail. I think the poem attempts a snapshot, and in that regard is interesting.

T

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